Charles Olson, an American modernist poet who prefigured the Beat poets and the L-A-N-G-U-A-G-E poets, was very interested in the quality of breath in poetry. There’s been a lot written about this, much of it scholarly or dense, but at its base, it’s intriguing.
One slam poet explained that she writes lines as long as her actual breath, what her mouth can get out before she gasps for air. When she’s spent, she begins a new line.
Okay…, everyone can grasp that notion better than a discussion of meter or syllable counts, etc. But let’s turn to Olson’s theory, written into a manifesto entitled “Projective Verse” in 1950. Continue reading

I spent part of today immersed in a new book from Copper Canyon Press, 




